Wiley - Playtime Is Over (Retail)

artist:      Wiley
title:       Playtime Is Over (Retail)
label:       Big Dada Recordings
type:        Album
genre:       Rap
source:      CDDA
grabber:     EAC
encoder:     lame-3.97-final
year:        2007
tracks:      16
time:        51:38
size:        57,6 MB
bitrate:     avg. 154kbps
mode:        Joint-Stereo
url:         www.myspace.com/eskiboywiley
rip date:    31-May-2007
street date: 04-Jun-2007
location:    UK, LDN

01.  50/50 (Prod. By Wiley)                                            02:18
02.  Bow E3 (Prod. By Maniac)                                          03:02
03.  Slippin' (Prod. By Wiley)                                         03:40
04.  Flyboy (Ft. Mercston, Scorcher, Tinie Tempah) (Prod. By Wiley)    02:29
05.  Baby Girl (Prod. By Wiley)                                        02:43
06.  Gangsters (Prod. By Wiley)                                        03:14
07.  Stars (Ft. Jukie Mundo) (Prod. By Wiley)                          03:04
08.  Letter To Dizzee (Prod. By Most Wanted Productions)               02:31
09.  My Mistakes (Ft. Manga, Little D) (Prod. By Bless Beats)          02:50
10.  No Qualms (Ft. JME) (Prod. By Skepta)                             02:34
11.  Johnny Was A Bad Boy (Prod. By Decoy & Wiley)                     03:27
12.  Nothing About Me (Ft. Perry Morgan) (Prod. By Geeneus)            03:41
13.  Come Lay With Me (Ft. Rachel) (Prod. By DVA)                      03:40
14.  Getalong Gang (Prod. By Wiley)                                    02:53
15.  Eski-Boy (Ft. Danny C) (Prod. By Wiley)                           02:47
16.  Playtime's Over (Prod. By Wiley) (Where's Wiley?                  06:45
     (Bonus Instumental Track)) (Prod. By Wiley)



R.I.P AH-GONG!- FREE SET-YEEN & AH-HIEN!!!- CNVT- "I Aint Gon Let Up" - Yola Da Great

oke, there was a promo out of wiley's album, but the differents with this retail is
it doesn't got those annyoying drops in it with that lame woman talking in between in
it, and also on this retail u got a hidden bonus instrumental track on it, on the
last track of it, track 16 after it finish the normal track it will fade into the
bonus instrumental track, called where's wiley?.
on a different subject matter now...


nes-quick...nes-quick...drink more and be quick as nes-quick... www.nesquik.com ...
are u not suppose to rip this wanker!? arent u grime #1?!
shitting on you double time 2day u lame wanker and your lame dupe 2day!
do yourself a favour and kill yo self wanker!

anyway grime fans go and buy this to support him, he's doing alot, also be quick to
get that limited edition black cd that looks nice ye!

www.bigdada.com

Wiley, the pioneer, the founding father, the maverick, the relentless innovator,
releases his brand new (and possibly last) album. A blazing return to the
experimental crucible of the East London music known as grime, 'Playtime Is Over'
offers everything that is most brutal, cutting edge, funny, clever, terrifying and
moving about the sound and the world which created it.
Over the course of 15 tracks, Wiley boasts of his pre-eminence, tells stories of his
life and background, reveals a sensitive side that won't surprise anyone who has met
him, bigs up Bow and, in general, splatters his life and thoughts and feelings over
beats in a way which hasn't been bettered in the short but incident-packed history of
a scene whose mainstream acceptance is barely five years old.
The majority of the music on 'Playtime Is Over' is produced by the man himself, with
occasional assistance from the likes of JME ('No Qualms') and Maniac (the aural
assault of 'Bow E3'.) The handful of guest MCs and vocalists on the album were
equally carefully selected; one-time rival and rising star Scorcher lends his musical
flow to 'Fly Boy', Jukie Mundo's ultra-tight delivery rails over 'Stars' and the
dulcet tones of Rachel provides the chorus to 'Come Lay With Me'.
Rather than the "pop" experiments that were forced on Wiley while producing Roll
Deep's 'In At The Deep End', here he revels in his ability to weld together
screeching keyboards, elastic bass drops and pounding beats into instantly catchy,
hugely more-ish bursts of noise. Right from the opening bars of '50/50' you know
you're in for a treat and it doesn't let up through his tales of trouble in South
West London ('Slippin'), jokes about the Grime scene's internal rivalries ('Getalong
Gang'), or his exhortations for the scene around him to realise it's time to get
serious ('Playtime's Over'). In between, Wiley also shows himself the master of a
different type of approach, on a heartfelt and funny dedication to his newborn
daughter ('Baby Girl') or when reaching out to his sometime prodigy and fellow Bow
boy, Dizzee Rascal ('Letter 2 Dizzee').